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1. The parts that need to be written are the content
of the questionnaire and th
1. The parts that need to be written are the content
of the questionnaire and the questionnaire summary. The other parts have been
written. You don’t need to write the other parts. The methodology has been
written. Just change the interview into a questionnaire. (I put the methodology
at the end of the requirements. Please carefully change it to make it smooth.)
2.
The content and conclusion of the questionnaire must be in line with the United
Nations Sustainable Development Goals.
3.
Please carefully design the questions and answers of the questionnaire, and the
questions should not be less than ten.
4.
The gender, age and country of the subjects of the questionnaire need to be
average (Spanish and Chinese respondents need to be included), which needs to
be stated in the article.
5.
Please write the source of the questionnaire
6.
The conclusion must be consistent with the title of the article.
Title:
Art intervention in urban renewal: Exploring the contribution of public art to
achieving sustainable urban development goals
Title：Artistic
Interventions in Urban Renewal: Exploring the contribution of public art to
achieving sustainable urban development goals
References:
15
Word
count: 3300 words
Methodology
The
methodological design of this research is essential, as it provides a tool for
deliberately investigating the intricate interrelation between public art and
the urban regeneration strategy in the context of sustainable development
goals. To add value and gain a holistic approach, the “method wheel,”
which is based on sociological methodologies that are well established and fit
the context of this study, has been developed.
The
method wheel visually depicts the different components of the research design
used to integrate the research methods. At the core of the wheel lies the
primary research objective: examining the impact of public art on attaining
urban sustainability development goals. Around the core idea are four
concentric circles representing separate layers of methodological approaches
that form a coherent and multi-faceted approach.
The
innermost circle embraces qualitative methods, a must-have approach for getting
public art interventions’ subtleties, meanings, and real-life experiences. This
layer includes:
1.
In-depth interviews: Working with artists, urban planners, policymakers, and
the local community to learn about their points of view, what drives them, and
what they have encountered in projects related to public art.
2.
Ethnographic observations: Observing the public art installations and local
interactions directly on the site, a deeper understanding of the spatial
dynamics, social engagement, and cultural meanings of these interventions is
possible.
3.
Content analysis: Take a critical look at the relevant documents, like urban
planning strategies, project plans, and media reports, to see the position of
public art in the overall urban renewal and sustainability agenda.
The
second circle is related to the quantitative approach that serves to provide
numerical data and statistical analysis with the qualitative view. This layer
encompasses:
1.
Survey research: Run polls among residents, visitors and other parties who are
interested in this issue to get the statistics about the opinions, attitudes
and awareness of public arts within the context of urban sustainability that
includes environmental issues, social integration and economic prosperity.
2.
Spatial analysis: The application of GIS (Geographic Information System) and
spatial data analysis tools that take the locational, accessibility, and
connectivity aspects of public art installations among socio-economic and
environmental factors in urban areas into account.
3.
Economic impact assessment: To estimate the impact of public art projects on
the region in terms of the attractiveness to tourists, the business boost, and
the creation of the job opportunities in the creative sector will be carried
out.
The
next ring is that of participatory methods, which implies that the community
involvement and co-creation are the fundamental aspects of public art and green
development. This layer involves the following: The third circle also applied,
knowing that community participation and co-creation are given conditions to
art production and in sustainable urban development. This layer contains:
1.
Community-based participatory research (CBPR): The community research process,
from the definition of the problem to the data collection, analysis and
dissemination, should be conducted in the manner that the community members,
artists and stakeholders are actively engaged. The research results should
provoke a positive reaction from the community members acknowledging their
needs and purposes.
2.
Participatory mapping: Through mapping in the community people will be able to
pick out places for public art installations that should be marked and the
meanings of those artworks with social, cultural, and environmental aspects are
also documented.
3.
Co-design workshops: It is to be the workshops that are fun and people can
actively get involved in. This may involve artists, urban planners, policy
makers, community members, and any other people that are related to the process
of public art projects that help to achieve the sustainable development goals.
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