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Thoughtfully compose a 4-page essay that demonstrates your synthesis of the read
Thoughtfully compose a 4-page essay that demonstrates your synthesis of the readings and lectures from week 1 & 2 (Shohat and Stam, Frantz Fanon, Stam’s essay on Fanon and Cinema and the documentaries we viewed in class) in relation to the film Battle of Algiers 1966 (hereafter BOA). Do not summarize the film or its plot. Do not simply make general statements about how you felt about the film, or what you thought about the quality of the acting. You are not writing a review of the film, but engaging in a study of the film and its effects, particularly in relation to Fanon. In the first part of the essay discuss how BOA produces a Fanonian “truth” or perspective regarding colonialism and decolonization. Clearly, you will not be able to answer this question without a close and rigorous reading of the chapter by Fanon, “Concerning Violence.” Do not write about what you thought or felt about the film; instead, engage in a critical analysis of how the film expresses Fanon’s notion of truth and his theory of violence and decolonization.
Speak to how the formal qualities — such as plot, narrative structure, dialogue, point of view, soundtrack, camera techniques and so forth — of the film effect the decolonization of the screen. You can, for example, do a close analysis of a particular scene in the film (and the composition of the mise en scène, for example) or sequence of scenes.
Take note of the elements and formal qualities of the film that you will use to make your argument.
To do a close reading of a particular scene, you should view that particular segment again. The film and documentaries are all available on Canvas.
Make sure that you demonstrate your thorough engagement with all the relevant readings assigned. Use proper citation.
In the essay, you may discuss your response to the film, specifically in terms of a structure of identification. How did you respond to the film, the narrative, and the characters? What characters did you find yourself identifying with and why? What were the formal elements that enabled you to do so? In your analysis of your response to the film, use the concepts that have been discussed in class and in the readings such as positionality and eurocentrism.
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